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This is a collection of Hints & tips that our Facebook fans, Twitter followers and customers have emailed in to us.

 


 

Plein air hands clean.

Put a damp flannel in a grip seal sandwich bag, and use it to wipe all the paint off your hands during a plein air painting session. Follow up with paper towels to dry them off.

Nicky

 


 

If you find your self without a putty eraser use blue tack. Magic eraser sponges great for lifting colour out and only a pound for four from discount stores.

 

If you do not want to stretch you watercolour paper before you start painting, try this; masking tape the top of paper to board do your first wash then flatten then tape bottom.

Brian

 


 

As I find it difficult to get a straight line when I try to paint such things as the edge of a building I’ve developed this simple combination of techniques.

I find it easier to control a pencil than a paint brush to get good eye sweet lines in watercolour paintings so if I want a straight neat line I first use a watercolour pencil to mark in a good light edge. Then, I paint almost up to the line and use my wet paintbrush to lightly blend the two mediums. This tip works really well with uniform or variegated images. For painting things like a stone wall try using different shades of watercolour pencils to make marks to paint up to.

Ann

 



When using masking fluid, use a synthetic brush- it is really easy to clean: 
1. pour some washing up liquid in a container and rub the synthetic brush in it. 
2. Pour boiled water into the container (enough to cover the bristles) and give your brush a good whisk about. 
3. The fluid will simply fall off the bristles as a solid outer coating! 
4. Rub your fingers along the bristles to the tip to clear out smaller bits of masking fluid and to reshape the bristles. 

Done!
You haven’t ruined your good brushes and you’ve quickly cleaned your masking fluid brush.

Luke A



  1. Wear fingerless gloves when doing detailed work to avoid smudging.
  2. When doing pyrography make sure the wire nib is a big enough curve to bridge the grain lines to avoid burnt spots

Lisa C


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